EXHIBITION

— Other Memories,

FROM THE
ART COLLECTION
TEIXEIRA DE FREITAS

FREE ENTRANCE

EXHIBITION

— Other Memories,

FROM THE
ART COLLECTION
TEIXEIRA DE FREITAS

FREE ENTRANCE

EXHIBITION

— Other Memories,

FROM THE
ART COLLECTION
TEIXEIRA DE FREITAS

FREE ENTRANCE

THE EXHIBITION

— Other Memories,

— Other Memories,

By invitation of the Ministry of Foreign Affairs and the Instituto Camões on the occasion of the Bicentennial of the Independence of Brazil, the exhibition “Other Memories, Other Threads” brings together more than two hundred works from the Teixeira de Freitas collection, with the intention of collectively reflecting on some of the most significant aspects that constitute the historical and contemporary relationship between Brazil and Portugal.

Thought and brought together by a Brazilian collector that has been based in Portugal for over 30 years, the Teixeira de Freitas collection found the main pillars for its development in the categories of Conceptual Art, Architecture, Landscape, Literature, Ephemeral Art and Artist Books. Gathered mainly between 2000 and 2014, this collection directly reflects the values and dynamics characteristic of the arts system in which it was developed. Although it is a global collection, which is visible by the artists who compose it, its development has always offered a particular attention to the art produced in Brazil and Portugal – which makes it especially powerful for discussing Luso-Brazilian ties.

However, “Other Memories, Other Threads” does not limit itself to showing artists from these countries. Taking into account the “intimacy of the four continents” (an expression used by the American researcher Lisa Lowe to describe the fundamental connections between the peoples of the Americas, Africa, Asia and Europe during the colonial process of construction of liberal modernity

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Geta Bratescu | Memory - Books Without Name | 1990

and in its continuities), this exhibition articulates works made by artists in the most diverse political, economic and social contexts, with the intention of providing productive frictions between different perspectives, which, in this show, go far beyond national identities.

This exhibition is composed of five transversal readings of the collection, organized under the titles ‘Other Memories, Threads (same as the exhibition title, a nucleus that deals with the need to have the past, present, to build other futures); 'The Atlantics: Plots, Distances, Abysses' (which juxtaposes different languages, poetic strategies and cosmovisions, to complexify the imaginaries related to the Atlantic Ocean); 'ruinconstruction' (which responds to the approximation between these two terms in colonialism studies, taking advantage of the important focus of the collection on architecture and construction themes); ‘Studies on Freedom’ (which proposes a pedagogical and constructive approach to the theme, bringing together works that deal with processes of refusal, revolt, struggle and insurrection); and finally 'Poetry and Fable: Language and Apotheosis' (which investigates language and language as spaces of vitality, self-realization and invention of worlds).

Trying to find alternative ways to approach the Bicentennial of the Independence of Brazil, the exhibition “Other Memories, Other Threads” proposes essays, experiments and choreographies that aim to open new passages to the past, avoiding linearities and the powerful, but frayed, categories regularly used by critical theory. With this exhibition, we seek to weave different memories into the fabric of the collective imagination, so that the star that rises on the horizon is the sign of more laudable storylines in the times to come.


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Curated by :
BERNARDO MOSQUEIRA
E LUIZA TEIXEIRA DE FREITAS

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BERNARDO MOSQUEIRA

Bernardo Mosqueira (Rio de Janeiro, 1988) is a curator and writer based between New York-based and Rio de Janeiro. Master in Curatorial Studies from the Center for Curatorial Studies, Bard College (CCS Bard), Mosqueira is the founder and artistic director of Solar dos Abacaxis (since 2015), is the ISLAA Curatorial Fellow at the New Museum of Contemporary Art (since 2021), and is the director of the FOCUS ArtRio (since 2012). Between 2011 and 2014, Mosqueira organized the performance festival Vênus Terra, and between 2011 and 201 he was one of the curators of the Ibeu Art Gallery.

In 2017, he was awarded the Lorenzo Bonaldi Prize, an international award for young curators. In 2020, he was one of the co-founders of Fundo Colaborativo, the first emergency fund for artists and art workers in Brazil. His recent exhibitions include "Eros Rising: Visions of the Erotic in Latin American Art", Institute for Studies on Latin American Art, New York, 2022; “Screens Series: Naomi Rincón Gallardo”, New Museum, New York, 2022; “Daniel Lie: Unnamed Entities”, New Museum, New York, 2022; “Castiel Vitorino Brasileiro: Eclipse”, Hessel Museum, New York, 2021; “Miriam Inez da Silva”, National Museum of the Republic, Brasília, 2021; “To Inhabit Freedoms”, with Keyna Eleison, Solar dos Abacaxis, Rio de Janeiro, 2019; “Enchanted Bodies / Fetish for Freedom” Galleria d’Arte Moderna e Contemporanea di Bergamo, 2018; “what comes with the dawn”, Casa Triângulo, São Paulo, 2016; “objects in mirror are closer than they appear”, Rossiya Theater, Moscow, 2015; and “Encruzilhada”, EAV Parque Lage, Rio de Janeiro, 2015.

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LUIZA TEIXEIRA DE FREITAS

Luiza Teixeira de Freitas is an independent curator who lives and works in Lisbon. Amongst the various projects with which she is involved, her work as a curator with private collections, independent exhibitions and art fairs, stands out. Luiza is actively involved in independent publishing and artist books, having launched her own publishing house Taffimai in 2018. Although she lives in Portugal, she frequently works with projects in São Paulo, New York, London, Los Angeles and maintains a strong connection to the Middle East.

Recent exhibitions include: ‘Pitching itself a tent where all may enter’ (Part 02) and ‘A rooster alone does not weave the dawn’ (Part 01) (Quetzal Art Center, Vidigueira, 2021); ‘Shell Game’ - Andreia Santana and Anna-Sophie Berger (Galeria Filomena Soares, Lisbon, 2021); ‘Volta Grande’ Alexandre Estrela (PIVÔ, São Paulo, 2019); ‘Tandem’ - a one-year project with five exhibitions (Alexander and Bonin, New York, 2019); ‘There will never be a door. You're Inside.’ Works from the Teixeira de Freitas Collection, (Santander Foundation, Madrid, 2019), ‘A Shimmer of Possibilities’ (Eugénio de Almeida Foundation, Évora, 2017), LA Projects (Los Angeles, 2017), ‘The Hollow and the Amendment’ Paloma Bosquê (White Pavilion , City Museum, Lisbon, 2017); ‘At Arm's Length’ Amalia Pica (NC Arte, Bogotá, 2017); ‘What I Am’ (MAAT, Lisbon, 2017); ‘El que camina al Lado’ (Travesia Cuatro, Madrid, 2016 and Guadalajara, 2016); ‘An Infinite Conversation’ (Museu Berardo, Lisbon, 2014); ‘Apestraction’ - Damián Ortega (Freud Museum, London, 2013);

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She was part of the curatorial team for Anozero Bienal in Coimbra ‘Curar e Reparar’ (2017); assistant curator of the Marrakech Biennial, ‘Works and Places’ (2009) and collaborated with Tate Modern, in London, on the exhibitions of Cildo Meireles and Cy Twombly (2008).

Luiza is strategy consultant for the Delfina Foundation, in London, she is part of the Board of Diretors for Bidoun; and also President and member of the Board of ‘Operação Nariz Vermelho’ in Portugal. She recently completed a postgraduate degree in Pediatric Palliative Care, an area to which she currently dedicates part of her time.


DATE AND TIME

16th NOV TUESDAY — SUNDAY
to 18th DEZ 2022 10.00 — 18.00

All ages
Access for people with reduced mobility

16th NOV TUESDAY — SUNDAY
to 18th DEZ 2022 10.00 — 18.00

All ages
Access for people with reduced mobility


LOCATION

CORDOARIA AV. DA ÍNDIA,
NACIONAL LISBOA 1300-598 LISBOA
How to Get

CONTACTS

Any contact related to the themes of the exhibition
can be made by email:

info@coleccaoteixeiradefreitas.com

— Other Memories,

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— Other Memories,

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— Other Memories,

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